Stories of famous monsters in a new horror anthology edited by James Aquilone and featuring Joe R. Lansdale, F. Paul Wilson, Jonathan Maberry, Ramsey Campbell, and many others.
Dracula, Frankenstein’s Monster, the Bride of Frankenstein, Dr. Jekyll and Mr. Hyde, Dr. Moreau, the Headless Horseman, the Invisible Man, the Phantom of the Opera, the Wicked Witch of the West—they’re all here, in this collection of horror short stories that reimagine, subvert, and pay homage to our favorite monsters and creatures.
Written by the biggest names in the genre—including Joe R. Lansdale, F. Paul Wilson, Jonathan Maberry, Ramsey Campbell, Lisa Morton, Owl Goingback, Richard Christian Matheson, Seanan McGuire, Maurice Broaddus, Dacre Stoker, Linda D. Addison, Alessandro Manzetti, Tim Waggoner, John Palisano, Mercedes M. Yardley, Lucy A. Snyder, Gary A. Braunbeck, Rena Mason, and Monique Snyman.
And monstrously illustrated by Colton Worley and Mister Sam Shearon.
Thank you so much to Edelweiss and Black Spot Books for the eARC of this compilation of classic horror villains! I have to say, this was so much up my alley that I knew just from the title alone I would enjoy it. I didn’t know very many of the authors listed, but that was a feature and not a bug! It was so fun getting to know these storytellers in how they represented the monsters we all know and love! There are twenty-nine stories and one poem included in this novel; each with their own quirks and accomplishments.
The reader will find gender-swapping, modern issues, and many more surprises waiting in these retellings. Dracula, Frankenstein, and the Headless Horseman lead the pack here, but there’s so many more spooks waiting in the wings. If you’re a horror fan, I recommend it with the utmost confidence. The art alone will keep you up at night! I don’t want to spoil anything about this anthology, so my review will be brief and succinct. It is a well-fleshed out collection, however, I was saddened by the low count of female authors. It could have used much more representation, especially in the stories with female leads.
Despite that, the included writers did an impeccable job with the source material. As someone who was a fan of these tales before– I understood what each section was meant to be– but for the enjoyment of less horror-obsessed readers, an introduction of the original story may have been a good idea. Even so, I think these readers will enjoy the tropes and characters; they will just be new content to them. Halloween is shortly coming up, and I think this novel will be a fun one to read by the fireside in the dead of night. Overall, I say this endeavor was a rousing success.