From the New York Times bestselling author of Girl in Pieces comes a breathtaking story about a town, its tragedies, and the quiet beauty of everyday life.
For all of Emory’s life she’s been told who she is. In town she’s the rich one–the great-great-granddaughter of the mill’s founder. At school she’s hot Maddie Ward’s younger sister. And at home, she’s the good one, her stoner older brother Joey’s babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey’s drug habit was.
Four months later, Emmy’s junior year is starting, Joey is home from rehab, and the entire town of Mill Haven is still reeling from the accident. Everyone’s telling Emmy who she is, but so much has changed, how can she be the same person? Or was she ever that person at all?
Mill Haven wants everyone to live one story, but Emmy’s beginning to see that people are more than they appear. Her brother, who might not be cured, the popular guy who lives next door, and most of all, many ghostie addicts who haunt the edges of the town. People spend so much time telling her who she is–it might be time to decide for herself.
Inspired by the American classic Our Town, You’d Be Home Now is Kathleen Glasgow’s glorious modern story of a town and the secret lives people live there. And the story of a girl, figuring out life in all its pain and beauty and struggle and joy.
Thank you so much to NetGalley for the eARC of this novel! I have devoured Kathleen’s other two works, and they have absolutely ruined me in the best way. So, when I saw this one up for request, I jumped at it, knowing that I needed her raw lens of the world right now. I connected to Girl in Pieces because of the self-harm aspect, as well as the protagonist’s need to figure out who she was and gain her agency back. I related to How To Make Friends With The Dark because I too have needed my family and friends to help me out of the all-consuming darkness I was facing. I wasn’t sure how this particular novel would speak to me, but it may have hit harder than the other two combined.
I saw myself in Emory, this soul longing for connection. I have felt her invisibility, her instinct to hide and pretend. I have been that girl who chased after boys who ultimately wanted nothing from her in the same way that she wanted from them. I threw myself into theatre in college and it was an undeniable escape. Watching Emory do the same as her life was crashing around her, whether she took it voluntary or not, took my breath away. Simon, the theatre director, tells her that she’s ‘invincible in someone else’s skin’, and that in itself is a kind of addiction. Which, as you may have guessed by the cover, is the driving force of this story. It mainly follows Emory’s brother, Joey, and his dependency on opioids– but the inhabitants of Mill Haven are riddled with their own vices if you know where to look. Emory’s dad struggles with alcoholism. Her mom, with power, money, and control. Luther Leonard with revenge. Gage Galt with secret rendezvous. The list goes on and on and on.
This is a powerful story that shows you just how many ways one can grapple with this life that we’ve been thrust into. Life is not always that happy song– it is sometimes a slow and menacing dirge. Some of us find healthy ways of coping, but others are not as fortunate. If you are only able to take away one thing from Emory’s tale– I hope it’s the plea to be kind to the homeless person on the sidewalk. The kid who wears a scarf indoors and in any sort of weather. The girl who made a mistake with a boy that she thought saw her. The brother who tried his best but still fell short. Kathleen’s novels are hard to describe, but what I do know is– they shy away from sugar-coating and are more genuine than any other novels I’ve ever read. I highly recommend this book.